{"id":1500,"date":"2019-09-28T18:24:38","date_gmt":"2019-09-28T18:24:38","guid":{"rendered":"https:\/\/paramogaleria.com\/emanuel-tovar-biography\/"},"modified":"2019-09-28T18:24:38","modified_gmt":"2019-09-28T18:24:38","slug":"emanuel-tovar-biography","status":"publish","type":"post","link":"https:\/\/paramogaleria.com\/en\/emanuel-tovar-biography\/","title":{"rendered":"Emanuel Tovar – Biography"},"content":{"rendered":"\n
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Emanuel Tovar<\/h1>\r\n <\/div>\n<\/div>\n\n
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SELECTED WORKS<\/a><\/p>\r\n

BIOGRAPHY<\/a><\/p> <\/div>\n<\/div>\n\n

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Downloads:<\/h5>

Biography<\/a><\/p>

Portfolio<\/a><\/p> <\/div>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n<\/div>\n<\/div>\n <\/div>\n

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EMANUEL TOVAR<\/h2>\r\nEmanuel Tovar (b. 1974) was born in Guadalajara, Mexico, where he currently lives and works. Tovar\u2019s practice departs from the conflicts and vulnerabilities of the human condition. He is interested in matter and sculpture as a reflection of the social context, and as a media for the construction of dialogues. Tovar\u00b4s geometric deconstructions, which seem to be mere formal exercises, function as metaphors for the disintegration of structural lines that fracture and transform. Fragility is a constant in his creative search while questioning social schemes and those of art itself. Using forgotten materials and elements, recycled, reused and recuperated from a social context in which consumerism is prevalent and social classes are increasingly more pronounced, he creates systems through a chaotic precarious process. Similar to the practices that occur in conflictive contexts (where construction is made with the most elemental and close at hand materials), generating tensions to make the viewer aware of that which prevails in the near perimeter; to recuperate the \u201cother\u201d histories that grow like parasites fed by the waste of society. Tovar thinks of the periphery as a retaining belt of capitalist societies, where he finds abstract realities in a fleeting context of fragile economy, of perishable architectures removed from the established order. To discuss precariousness, to reflect on the power of action, human labor, and work, establishing settings where it seems as though the system is cracking. His works become postcards that portray the suburban chaos in a kind of an antithesis of aesthetic perfection.\r\n\r\n\u00a0\r\n

EDUCATION<\/h3>\r\n2001\r\nBFA with a major in sculpture, Universidad de Guadalajara, Mexico\r\n\r\n2000\r\nII Encuentro internacional de Profesores y Estudiantes de Artes Pl\u00e1sticas, Havana, Cuba\r\n\r\n\u00a0\r\n

CURRENT AND UPCOMING<\/h3>\r\nGroup exhibition\r\nDer Arf Nira En Egar U.O.C.<\/i>, Rinomina &\u00a0NERI | Barranco, Mexico City\r\nOctober 10, 2019\r\n

SOLO EXHIBITIONS<\/h3>\r\n2017\r\nSolo Project for PARC\u2019 Peru with P\u00e1ramo, Lima Peru\r\nViaje inmaterial<\/i>, P\u00e1ramo, Guadalajara, Mexico\r\n\r\n2016\r\nUn surco en la nada<\/i>, Cuadro22, Switzerland\r\nLa huida del tiempo<\/i>, Obra Gris, Guadalajara, Mexico\r\n\r\n2014\r\nLa conspiraci\u00f3n de las bestias<\/i>, Di\u00e9resis, Guadalajara, Mexico\r\n\r\n2011\r\nEl trabajo te har\u00e1 libre<\/i>, Museo de Arte Zapopan, Zapopan, Mexico\r\n\r\n2009\r\nEl triunfo de la voluntad<\/i>, Charro Negro, Zapopan, Mexico\r\nGloria Desierta<\/i>, en Casa Del Lago, Mexico City\r\n\r\n2007\r\nWhite Dumbo Flying Over Infonavit<\/i>, Museo de las Artes, Guadalajara, Mexico\r\n\r\n2005\r\nS\u00faper Punk<\/i>, Arena M\u00e9xico, Guadalajara, Mexico\r\n\r\n2003\r\nBombiux-Tix-Tix<\/i>, Museo Ra\u00fal Anguiano, Guadalajara, Mexico\r\n\r\n\u00a0\r\n

GROUP EXHIBITIONS<\/h3>\r\n2019\r\nDer Arf Nira En Egar U.O.C.<\/i>, Rinomina &\u00a0NERI | Barranco, Mexico City\r\nSumatorio<\/i>, Museo Carrillo Gil, Mexico City\r\nP\u00e1ramo | GNP ArteCareyes Film & Art Festival, Careyes, Mexico\r\n\r\n2018\r\nCourage! Near Infra Red<\/i>, curated by Abraham Cruzvillegas at Rinomina Gallery, Paris, France\r\nCycles of Collapsing Progress<\/i>, Contemporary Art Exhibition Mexico x Lebanon, curated by Karina El Helou in partnership with Anissa Touati, Tripoli, Lebanon\r\n\r\n2017\r\nEl d\u00eda es azul el silencio es verde la vida es amarilla<\/i>, curated by Paola Santoscoy,\r\nMuseo Experimental El Eco, Mexico City\r\n127<\/i>, P\u00e1ramo | 127, New York, USA\r\nMonumentos, anti-Monumentos y nueva escultura p\u00fablica<\/i>, Museo Universitario del CHOPO, Mexico City\r\nA Poet*hical Wager<\/i>, MOCA, Cleveland, USA\r\nVuelos y cantos dentro de un edificio que llora<\/i>, Guadalajara 90210, Edificio Ferm\u00edn Riestra, Guadalajara, Mexico\r\nMonumentos, anti-Monumentos y Nueva Escultura P\u00fablica<\/i>, Museo de Arte Zapopan, Zapopan, Mexico\r\n\r\n2016\r\nDestroy your humanity<\/i>, Gabinete Homo-Extraterrestre, The Mistake Room, Los Angeles, USA\r\nLa huida del tiempo<\/i>, Obra Gris, Guadalajara, Mexico\r\nReconstrucci\u00f3n, a project by Abraham Cruzvillegas<\/i>, Museo de Arte de Zapopan, Guadalajara, Mexico\r\n\r\n2015\r\nLa llamada del Dios Extra\u00f1o # 2<\/i>, Museo de la Pintores Oaxaque\u00f1os, Oaxaca, Mexico\r\nUnder Construction<\/em>, P\u00e1ramo Gallery, Guadalajara, Mexico\r\nMi mano izquierda<\/i>, Casa Taller Jos\u00e9 Clemente Orozco, PAOS, Guadalajara, Mexico\r\n\r\n2014\r\nLeviat\u00e1n<\/i>, Museo Ra\u00fal Anguiano, Guadalajara, Mexico\r\n\r\n2013\r\nSin necesidad de profec\u00edas<\/i>, Di\u00e9resis Gallery, Guadalajara Mexico\r\n\r\n2011\r\nEverything Must Go<\/i>, Casey Kaplan, New York, USA\r\n\r\n2010\r\n\u201cTraveling Show\u201d & \u201cEl Gabinete Blanco\u201d<\/i>, Colecci\u00f3n Jumex, Mexico City\r\n\r\n2008\r\nEl norte del sur<\/i>, Bar\u00f3 Cruz, Sao Paulo, Brazil\r\nThe Best Art Work in the World (or The Portrait of the Artist)<\/i>, Charro Negro, Guadalajara, Mexico\r\nStanding On One Foot<\/i>, TPS (Triangle Project Space), San Antonio, TX, USA\r\n\r\n2007\r\nYAQ<\/i>, La Planta Arte Contempor\u00e1neo Omnilife, Guadalajara, Mexico\r\nOne Foot High and Rising<\/i>, The Balmoral, Los Angeles, CA, USA\r\nBabylon<\/i>, VIII Festival de Arte Contempor\u00e1neo de Barcelona, Centro de Cultura de Barcelona, Barcelona, Spain\r\n\r\n2006\r\nDistort<\/i>, Museo de Arte Carrillo Gil, Mexico City\r\n\u2026 un minuto por favor<\/i>, Casa Taller Jos\u00e9 Clemente Orozco, Guadalajara, Mexico\r\n\r\n2005\r\nDeclaraciones<\/i>, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain\r\n\r\n2004\r\nS\u00f3lo los Personajes Cambian<\/i>, MARCO, Monterrey, Mexico\r\nLa Relatividad del Tiempo y los distintos sistemas de referencia<\/i>, curated by Patrick Charpenel, OPA, Guadalajara, Mexico\r\n\r\n\u00a0\r\n

PERFORMANCES<\/h3>\r\n2019\r\nCantos Bald\u00edos<\/i>, Isla de Mezcala, Jalisco, Mexico\r\nTimonero inmerso en la oscuridad<\/i>, The Mistake Room 5th anniversary, Los Angeles, USA\r\nMira, yo he puesto delante de ti una puerta abierta que nadie puede cerrar<\/i>, in collaboration with Bruno Gruppalli, Tequila, Jalisco, Mexico\r\n\r\n2018\r\nRitos estructurales<\/i>, 14th edition Performance Art and Visual Art Festival VERBO, curated by Rodrigo Campuzano and Samantha Moreira S\u00e3o Paulo, Brazil\r\nEl culo del diablo<\/i>\u00a0and Un surco en la nada, U-TURN PROJECT ROOM, arteBA, Buenos Aires, Argentina\r\nRitos estructurales<\/i>, Isla de Mezcala, Jalisco, Mexico\r\n\r\n2017\r\nUn surco en la nada<\/i>, P\u00e1ramo, Tetetl\u00e1n, Mexico City\r\nSerie materia habitable<\/i>, 90210, Edificio Ferm\u00edn Riestra, Guadalajara, Mexico\r\nCantos Bald\u00edos<\/i>, A Poet*hical Wager group exhibition at MOCA, Cleveland, USA\r\n\r\n2016\r\nUn surco en la nada<\/i>, Cuadro22, Switzerland\r\nRitos Estructurales<\/i>, Reconstrucci\u00f3n, a project by Abraham Cruzvillegas, Museo de Arte de Zapopan, Mexico\r\nLa huida del tiempo<\/i>, Obra Gris, Guadalajara, Mexico\r\nGloria Suspendida<\/i>, Gallery Weekend Mexico City, P\u00e1ramo, Mexico City\r\n\r\n2014\r\nMonumento a la Inmaterialidad<\/i>\u00a0for Leviat\u00e1n, Museo Ra\u00fal Anguiano, Guadalajara, Mexico\r\nSinfon\u00eda Triste<\/i>\u00a0for La conspiraci\u00f3n de las bestias, Di\u00e9resis, Guadalajara, Mexico\r\n\r\n2013\r\nMi\u00e9rcoles de ceniza<\/i>\u00a0for Sin necesidad de profec\u00edas, Di\u00e9resis, Guadalajara, Mexico\r\n\r\n\u00a0\r\n

CURATORIAL PROJECTS<\/h3>\r\n2007\r\nTrinchera<\/i>\u00a0(Homage to Jos\u00e9 Clemente Orozco), Museo Ra\u00fal Anguiano, Guadalajara, Mexico\r\n\r\n\u00a0\r\n

LECTURES<\/h3>\r\n2013\r\nPromotion and dissemination, experiences in the professional field, DAAD, Universidad de Guanajuato, Mexico\r\n\r\n2008\r\nMultidisciplinary approaches and experiences from arts graduates, Divisi\u00f3n de Artes y Humanidades, Universidad de Guadalajara, Mexico\r\n\r\n2006\r\nTaller de Equilibrio Precario, Ex Convento del Carmen, Guadalajara, Mexico\r\n\r\n\u00a0\r\n

OTHER PROJECTS<\/h3>\r\n2014\r\nGabinete Homo-Extraterrestre Collective, Member\r\n\r\n2012\r\nCo-founder, Cerro Quemado (Asociaci\u00f3n Aut\u00f3noma de Artistas y Agentes Culturales de Occidente)\r\n\r\n2008\r\nAPT member (Artist Pension Trust)\r\n\r\n2005\r\nCo-founder, Clemente Jacqs\r\n\r\n\u00a0\r\n

GRANTS<\/h3>\r\n2015-2017\r\nSistema Nacional de Creadores de Arte (national system of art creators), The National Fund for Culture and Arts, Mexico\r\n\r\n2013-2014\r\nPrograma de Est\u00edmulo a la Creaci\u00f3n y Desarrollo Art\u00edstico (stimulus program for art creation and development), State Council for Culture and Arts, Mexico\r\n\r\n2005-2006\r\nPrograma de Est\u00edmulo a la Creaci\u00f3n y Desarrollo Art\u00edstico (stimulus program for art creation and development), The National Fund for Culture and Arts, Mexico\r\n\r\n2002-2003\r\nPrograma de Est\u00edmulo a la Creaci\u00f3n y Desarrollo Art\u00edstico (stimulus program for art creation and development), The National Fund for Culture and Arts, Mexico\r\n\r\n\u00a0\r\n

AWARDS<\/h3>\r\n2017\r\nILLY award for Solo Project at PARC\u2019 Peru\r\n\r\n\u00a0\r\n\r\nART RES#IDENCIES\r\n\r\n2017-2018\r\nArtist Residency at P\u00e1ramo, Tetetl\u00e1n, Mexico City\r\n\r\n2017\r\nArtist residency at Casa WABI January \u2013 February, Tokyo, Japan\r\n\r\n\u00a0\r\n

COLLECTIONS<\/h3>\r\nDi\u00e9resis Collection, Mexico\r\nCarrillo Gil Collection, Mexico\r\nMuseo Tamayo Collection, Mexico\r\nIsabel y Agust\u00edn Coppel Collection, Mexico\r\nCharpenel Collection, Mexico\r\nGAIA Collection, Mexico\r\n\r\n\u00a0\r\n

BIBLIOGRAPHY<\/h3>\r\n2019\r\nEl Museo de Arte Carrillo Gil abre espacio a Sumatorio<\/i>, INBAL press, newsletter No. 340, March 11, 2019\r\n\r\n2017\r\nReconstrucci\u00f3n: Un proyecto de Abraham Cruzvillegas<\/i>. Exhibition catalogue, Museo de Arte de Zapopan: Zapopan, Jalisco, Mexico, 2017.\r\nRondan, Dioselinda.\u00a0Premio illycafe anuncia la entrega de 5 mil d\u00f3lares<\/i>. Agencia Orbita, April 2017.\r\nCuestionario C\u00f3digo: Emanuel Tovar<\/i>. Revista C\u00f3digo: Mexico City, Mexico, October 2017.\r\n\r\n2013\r\nSin necesidad de profec\u00edas<\/em>. Exhibition catalogue, Di\u00e9resis: Guadalajara, Jalisco, Mexico, July \u2013 August 2013. Pp. 26-32, 60-61, 71-73, 87-90.\r\n\r\n2011\r\nLara, Baudelio.\u00a0En portada: Emanuel Tovar Andrade<\/i>. Revista de Educaci\u00f3n y Desarrollo, Issue 18, Universidad de Guadalajara: Universidad de Guadalajara, Guadalajara, Mexico, July \u2013 September, 2011. Cover page and Pp. 98.\r\n\r\n2010\r\n\u201cTraveling Show\u201d & \u201cEl Gabinete Blanco\u201d<\/i>. Exhibition catalogue, Colecci\u00f3n Jumex: Ecatepec, Mexico, 2010. Pp. 152-155, 162-163.\r\n\r\n2009\r\nGloria Desierta<\/i>. Exhibition catalogue, Casa Del Lago: Mexico City, Mexico, 2009. Pp. 64-67.\r\nFirulais (Fragmentos de la historia reciente de Guadalajara)<\/i>. Exhibition catalogue, Editorial Pandora S.A de C. V.: Guadalajara, Jalisco, Mexico, March 2009. Pp. 34, 57, 49.\r\nHomenaje a Orozco<\/i>. Instituto Cultural Caba\u00f1as: Guadalajara, Jalisco, Mexico, March 2009. Pp. 119.\r\n\r\n2008\r\nASIM\u00c9TRICA afinidades y discrepancias<\/i>. Exhibition catalogue, Instituto Cultural Caba\u00f1as: Guadalajara, Jalisco, Mexico, April 2008. Pp. 168,175.\r\n\r\n2004\r\nS\u00f3lo los personajes cambian<\/i>. Exhibition catalogue, MARCO: Monterrey, Nuevo Le\u00f3n, Mexico, 2004. Pp. 40, 44, 60-61. <\/div>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n","protected":false},"excerpt":{"rendered":"

EMANUEL TOVAR Emanuel Tovar (b. 1974) was born in Guadalajara, Mexico, where he currently lives and works. Tovar\u2019s practice departs from the conflicts and vulnerabilities of the human condition. He is interested in matter and sculpture as a reflection of the social context, and as a media for the construction of dialogues. Tovar\u00b4s geometric deconstructions, […]<\/p>\n","protected":false},"author":2,"featured_media":946,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[],"class_list":["post-1500","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-biographies","has-post-title","has-post-date","has-post-category","has-post-tag","has-post-comment","has-post-author",""],"yoast_head":"\nEmanuel Tovar - Biography - P\u00e1ramo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/paramogaleria.com\/en\/emanuel-tovar-biography\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Emanuel Tovar - Biography - P\u00e1ramo\" \/>\n<meta property=\"og:description\" content=\"EMANUEL TOVAR Emanuel Tovar (b. 1974) was born in Guadalajara, Mexico, where he currently lives and works. 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Tovar\u2019s practice departs from the conflicts and vulnerabilities of the human condition. He is interested in matter and sculpture as a reflection of the social context, and as a media for the construction of dialogues. 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