{"id":1499,"date":"2019-09-28T18:00:56","date_gmt":"2019-09-28T18:00:56","guid":{"rendered":"https:\/\/paramogaleria.com\/edgar-cobian-biography\/"},"modified":"2022-04-28T23:22:24","modified_gmt":"2022-04-28T23:22:24","slug":"edgar-cobian-biography","status":"publish","type":"post","link":"https:\/\/paramogaleria.com\/en\/edgar-cobian-biography\/","title":{"rendered":"Edgar Cobi\u00e1n – Biography"},"content":{"rendered":"\n
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Edgar Cobi\u00e1n<\/h1>\r\n <\/div>\n<\/div>\n\n
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SELECTED WORKS<\/a><\/p>\r\n

BIOGRAPHY<\/a><\/p>\r\n

EXHIBITIONS <\/a><\/p> <\/div>\n<\/div>\n\n

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Downloads:<\/h5>\r\n

Biography<\/a><\/p>\r\n

Portfolio<\/a><\/p> <\/div>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n<\/div>\n <\/div>\n

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EDGAR COBI\u00c1N<\/h2>\r\nEdgar Cobi\u00e1n (Guadalajara, Mexico, 1978) is a multidisciplinary artist, his work is developed in different media such as drawing, sculpture, video and music. It reflects on the notions of Utopia and Ideal as articulation and dismantling devices of dominant political, social and cultural structures. Between a certain cynicism and a dense sense of humor, his work explores the symbolic possibilities of the image and its dislocation by overlapping referents drawn from fields such as politics, art, popular culture or personal history. From metaphors and metonyms, sentences, and images that oscillate between irony and absurdity, uncertainty arises as a place of philosophical resistance to the ideological problems of humanity and the world of the neoliberal era.\r\n\r\nCobi\u00e1n studied the Bachelor of Visual Arts at the Universidad de Guadalajara, was awarded of the program J\u00f3venes Creadores del Fondo Nacional Para la Cultura y las Artes, FONCA (2011-2012), Mexico. He has individually presented:\u00a0OVERDRESSED<\/i>, P\u00e1ramo, Guadalajara, Mexico, 2019;\u00a0Deep transverse massage<\/i>, Impronta Casa Editora, Guadalajara, Mexico, 2019;\u00a0Sed de Infinito<\/i>\u00a0of the Double program at the Museo de Arte de Zapopan, Mexico, 2017;\u00a0Se ha dicho que la revoluci\u00f3n no necesita al arte\u2026<\/i>, Guadalajara 90210, Guadalajara, Mexico, 2017; and\u00a0La Historia Suele Ser un Escondite de Tiranos<\/i>, Intervention in situ, Museum of the City, Guadalajara, Mexico, 2017 (and 2013 respectively). As well as\u00a0D\u00edas de campo<\/i>, Vitrina, Guadalajara, Mexico, 2009;\u00a0Odre<\/i>, Charro Negro Gallery, Guadalajara, Mexico, 2008;\u00a0Primavera<\/i>, Museo Ra\u00fal Anguiano, Guadalajara, Mexico, 2007; and\u00a0Trick<\/i>, Casa del Lago, Mexico City, Mexico, 2005; among others.\r\n\r\nHe has participated in multiple collective exhibition projects internationally, among which are:\u00a0Lo-Pass Filter<\/i>, with Eamon Ore-Giron, Taller Los Guayabos, Guadalajara, Mexico, 2017;\u00a0Kitchen Debate<\/i>\u00a0in collaboration with Rawson Projects, Regina Rex and Site95, New York, 2017;\u00a0F\u00e1bulas sin moraleja<\/i>, Casa del Lago, Mexico City, 2017;\u00a0Destroy All Your Humanity<\/i>, Gabinete Homo-Extraterrestre, Off-Site P\u00e1ramo, The Mistake Room, Los Angeles, USA, 2016;\u00a0La Llamada del Dios Extra\u00f1o #2<\/i>, El Museo de los Pintores Oaxaque\u00f1os, Oaxaca, Mexico, 2015;\u00a0Crisis Complex<\/i>, Tin Sheds Gallery, Sydney, Australia, 2012;\u00a0Manifestly Present<\/i>, Kasteel Oud-Rekem, Liden, Belgium, 2012;\u00a0Still Lifes<\/i>, Diablo Rosso Gallery, Panama, Panama, 2012;\u00a0La Quebradora<\/i>, MCCLA, Mission Cultural Center for Latino Arts, San Francisco, CA, USA, 2012;\u00a0Alarma!<\/i>, Death Be Kind Gallery, Melbourne, Australia, 2011;\u00a0Everything Must Go<\/i>, Casey Kaplan Gallery, New York, USA, 2011;\u00a0Third Beijing International Art Biennale<\/i>, 2008;\u00a0Standing on One Foot<\/i>, Triangle Project Space, San Antonio, TX, USA, 2007.\r\n\r\nHis independent activities as a musician and performer are the Lit & Luz Festival, MCA-Chicago, Chicago, USA, 2019, and Do\u00f1a Pancha Fest, an ongoing project; and also\u00a0Bicephalo<\/i>\u00a0projects, next to Gabriel Rico; and individually\u00a0Cr\u00e1neo Verde Humeante<\/i>\u00a0and\u00a0Peor A\u00fan<\/i>.\r\n\r\n\u00a0\r\n

EDUCATION<\/h3>\r\n1998-2002\r\nBachelor of Visual Arts, Universidad de Guadalajara, Guadalajara, Mexico\r\n

CURRENT AND UPCOMING<\/h3>\r\nSolo exhibition\r\nOVERDRESSED<\/i>, P\u00e1ramo, Guadalajara, Mexico\r\nAugust 29 \u2013 October 11, 2019\r\n\r\nGroup exhibition\r\nEl jard\u00edn de Galileo<\/i>, Guadalajara90210, Guadalajara, Mexico\r\n\r\n\u00a0\r\n

SOLO EXHIBITIONS<\/h3>\r\n2019\r\nOVERDRESSED<\/i>, P\u00e1ramo, Guadalajara, Mexico\r\nMASAJE TRANSVERSO PROFUNDO<\/i>, Impronta, Guadalajara, Mexico\r\n\r\n2017\r\nSED DE INFINITO<\/i>, Double program, Museo de Arte de Zapopan, MAZ, Zapopan, Jalisco, Mexico\r\nSE HA DICHO QUE LA REVOLUCI\u00d3N NO NECESITA AL ARTE, PERO QUE EL ARTE NECESITA DE LA REVOLUCI\u00d3N. ESO NO ES CIERTO. LA REVOLUCI\u00d3N S\u00cd NECESITA UN ARTE REVOLUCIONARIO<\/i>, Guadalajara90210, Guadalajara, Mexico\r\n\r\n2013\r\nLA HISTORIA SUELE SER UN ESCONDITE DE TIRANOS<\/i>, Intervenci\u00f3n in situ, Museo de la Ciudad, Guadalajara, Mexico\r\n\r\n2011\r\nCOMUNICADO<\/i>, Ware, Le\u00f3n, Guanajuato, Mexico\r\n\r\n2009\r\nD\u00cdAS DE CAMPO,<\/i>\u00a0Vitrina, Guadalajara, Mexico\r\n\r\n2008\r\nODRE<\/i>, Galer\u00eda Charro Negro Guadalajara, Mexico\r\n\r\n2007\r\nPRIMAVERA<\/i>, Museo Ra\u00fal Anguiano, Guadalajara, Mexico\r\nNUEVO PARA NADA<\/i>, with Augusto Marb\u00e1n, Haus der Kunst Gallery, Guadalajara, Mexico\r\n\r\n2006\r\nDONDE NADIE ME VEA<\/i>, Casa Museo L\u00f3pez Portillo, Guadalajara, Mexico\r\nMONSTRUOS<\/i>, with Augusto Marb\u00e1n, Proyecto Liga, Guadalajara, Mexico\r\n\r\n2005\r\nDREAM<\/i>, Laboratorio Clemente Jacqs, Guadalajara, Mexico\r\nTRICK<\/i>, Casa del Lago, Ciudad de Mexico\r\n\r\n\u00a0\r\n

GROUP EXHIBITIONS<\/h3>\r\n2019\r\nEL JARD\u00cdN DE GALILEO<\/i>, Guadalajara90210, Guadalajara, Mexico\r\nLA DIVINA INVASI\u00d3N<\/i>, Gamma Gallery, Guadalajara, Mexico\r\nNO ALCOHOL, NO DROGA, NO MOTA<\/i>, with Cristian Franco, La Murci\u00e9laga, Mexico City\r\n\r\n2018\r\nCONTACTO SANGRIENTO 8<\/i>, Guadalajara90210, Guadalajara, Mexico\r\nACTOS DELIBERADOS<\/i>, Otro Espacio, Guadalajara, Mexico\r\n\r\n2017\r\nLO-PASS FILTER<\/i>, with Eamon Ore-Giron, Taller Los Guayabos, Guadalajara, Mexico\r\nQUETZALC\u00d3ATL<\/i>, Museo Ra\u00fal Anguiano (MURA), Guadalajara, Mexico\r\nKITCHEN DEBATE<\/i>, Site95, Rawson Projects y Regina Rex, New York, USA\r\nF\u00c1BULAS SIN MORALEJA. EL DESBORDAMIENTO DE LA CORRUPCI\u00d3N EN M\u00c9XICO<\/i>, Casa del Lago, Mexico City\r\nDIY FICTION<\/i>, Careyes Art Foundation, Costa Careyes, Jalisco, Mexico\r\n\r\n2016\r\nATLAS SOBRE PAPEL<\/i>, P\u00e1ramo, Guadalajara, Mexico\r\nDESTROY ALL YOUR HUMANITY<\/i>, Off-Site P\u00e1ramo, The Mistake Room, Los Angeles, USA\r\n\r\n2015\r\nRECONSTRUCCI\u00d3N<\/i>, a project of Abraham Cruzvillegas, Museo de Arte de Zapopan, Zapopan, Mexico\r\nLA LLAMADA DEL DIOS EXTRA\u00d1O #2<\/i>, El Museo de los Pintores Oaxaque\u00f1os, Oaxaca, Mexico\r\nMANO IZQUIERDA<\/i>, Casa Taller Jos\u00e9 Clemente Orozco, Guadalajara, Mexico\r\nMEXICO: THE FUTURE IS UNWRITTEN, MAP OF THE NEW AR<\/i>T, Fondazione Giorgio Cini, Venice, Italy\r\nKLINKT KLINKT KLINKT<\/i>, Impronta Gallery \/ Proyecto Cobra, Guadalajara, Mexico\r\n\r\n2014\r\nA R\u00cdO REVUELTO<\/i>, Machete Gallery, Mexico City\r\nLA FIESTA DEL ASNO<\/i>, Casa de la Cultura Jalisciense, Guadalajara, Mexico\r\nLEVIAT\u00c1N<\/i>, Museo de Arte Ra\u00fal Anguiano, Guadalajara, Mexico\r\n\r\n2013\r\nAPENDICE ESTUDIO ABIERTO #2<\/i>, Museo de Arte de Zapopan, Zapopan, Mexico\r\nTINNITUS Y FOSFENOS<\/i>, Museo de Arte de Zapopan, Zapopan, Mexico\r\n\r\n2012\r\nCRISIS COMPLEX<\/i>, Tin Sheds Gallery, Sydney, Australia\r\nSTILL LIFES<\/i>, Galer\u00eda Diablo Rosso, Panama, Panama\r\nMANIFESTLY PRESENT<\/i>, curated by Annemie Van Laethem, KasteelOud-Rekem, Liden, Belgium\r\nLA QUEBRADORA<\/i>, curated by Amy Pederson, MCCLA (Mission Cultural Center for Latino Arts), San Francisco, CA, USA\r\nTHE REVELATION OF WHAT HAS ALREADY BEEN DESTROYED<\/i>, ObjectNotFound, Monterrey, N. L., Mexico\r\n\r\n2011\r\nFUERZAS B\u00c1SICAS<\/i>, curated by Lorena Pe\u00f1a, Museo de la Ciudad, Guadalajara, Mexico\r\nALARMA!<\/i>, curated by por Tony Garifalakis, Death Be Kind, Gallery, Melbourne, Australia\r\nEVERYTHING MUST GO<\/i>, Casey Kaplan Gallery, New York, NY, USA\r\nLA PR\u00c1CTICA DE LA TEXTUALIDAD<\/i>, Galer\u00eda Jes\u00fas Gallardo, Instituto Cultural de Le\u00f3n, Le\u00f3n, Guanajuato, Mexico\r\n\r\n2010\r\nINDIAN SUMMER<\/i>, Galer\u00eda Arena M\u00e9xico, Guadalajara, Mexico\r\nTHIS IS ABOUT NOTHING<\/i>, Plataforma Arte Contempor\u00e1neo, Guadalajara, Mexico\r\nSIN T\u00cdTULO<\/i>, Galer\u00eda Charro Negro, Guadalajara, Mexico,\r\n\r\n2008\r\nFIRULAIS, Fragmentos selectos de la historia reciente de Guadalajara<\/i>, curated by Cristi\u00e1n Silva, Museo de la Ciudad, Guadalajara, Mexico\r\nOBRA P\u00daBLICA, RUTA OROZCO<\/i>, Instituto Cultural Caba\u00f1as, Guadalajara, Mexico\r\nTERCERA BIENAL INTERNACIONAL DE ARTE DE BEIJING<\/i>, Beijing, China\r\n\r\n2007\r\nONE FOOT HIGH AND RISING<\/i>, Balmoral Gallery, Los Angeles, CA, USA\r\nSTANDING ON ONE FOOT<\/i>, curated by Patrick Charpenel y Cynthia Gutierrez, TPS (Triangle Project Space), San Antonio, TX, USA\r\n\r\n2006\r\nTRAUERFALL<\/i>, curated by Cristi\u00e1n Silva, GaleriaHaus der Kunst, Guadalajara, Mexico\r\nUN MINUTO POR FAVOR<\/i>, curated by Lorena Pe\u00f1a y Rub\u00e9n M\u00e9ndez, Casa Taller Jos\u00e9 Clemente Orozco, Guadalajara, Mexico\r\n\r\n2005\r\nSIETE EN LA MIRA<\/i>, Casa de la T\u00eda Tina, Mexicali, B. C. Mexico\r\nTIFLITIS<\/i>, Faro de Oriente, Ciudad de M\u00e9xico, Mexico\r\nXOCONOXTLE<\/i>, Siento Veinte, Guadalajara, Mexico\r\n\r\n2004\r\nGUADALAJARA DE D\u00cdA<\/i>, Ramis Barquet, Gallery Monterrey, N. L. Mexico\r\nDICEN QUE FINJO O MIENTO,<\/i>\u00a0curated by Jorge M\u00e9ndez Blake, Central de Arte, Guadalajara, Mexico\r\n\r\n2003\r\nFELICES DE LA VIDA<\/i>, Arena M\u00e9xico Arte Contempor\u00e1neo, Guadalajara, Mexico\r\nJUGUETRO<\/i>, Sector Reforma, Guadalajara, Mexico\r\n\r\n2002\r\nCAIDA LIBRE<\/i>, La Automovil\u00edstica, Guadalajara, Mexico\r\nDE LA ESCULTURA AL ARTE OBJETO<\/i>, Galer\u00eda del Sistema de Tren El\u00e9ctrico, Guadalajara, Mexico\r\nI BELIEVE IS HAS TO BE SEEN<\/i>, Devart Gallery, Guadalajara, Mexico\r\nT\u00c1BULA RASA<\/i>, curated by Patrick Charpenel, Galer\u00eda Haus Der Kunst, Guadalajara, Mexico\r\n\r\n\u00a0\r\n

OTHER PROJECTS<\/h3>\r\nEdgar Cobi\u00e1n is also a musician and has worked on\u00a0Bicephalo<\/i>\u00a0projects, together with the artist Gabriel Rico, and individually as\u00a0Cr\u00e1neo Verde Humeante<\/i>\u00a0and\u00a0Peor A\u00fan<\/i>.\r\n\r\n2018\r\nFestival LIT & LUZ,<\/i>\u00a0Museum of Contemporary Art Chicago, Chicago, Illinois, USA\r\n\r\n2016\r\nGabinete Homo-Extraterreste, Collective consisting of: Esteban Aldrete, Cristian Franco, Daniel Guzm\u00e1n, Bayrol Jim\u00e9nez, Enrique Nu\u00f1o, Jos\u00e9 Luis S\u00e1nchez Rull y Emanuel Tovar, Guadalajara, Mexico\r\n\r\nMiembro de la organizaci\u00f3n del festival underground DO\u00d1A PANCHA FEST, in colaboration with the artist Cristian Franco and Daniel Guzm\u00e1n, entre otros, Guadalajara, Mexico\r\n\r\nLas Mulas de Kentucky, Consejo art\u00edstico\r\n\r\n2015\r\nLive act of the project\u00a0Cr\u00e1neo Verde Humeante<\/i>, ZEA MAYS, Actividades Paralelas, Museo de Arte de Zapopan, Zapopan, Mexico\r\nPOR UNA FIESTA MEJOR<\/i>, project of Violeta Horcasitas, Mexico City\r\n\r\n2014\r\nProject presentation\u00a0Cr\u00e1neo Verde Humeante<\/i>, Program Mi\u00e9rcoles de SOMA, Mexico City\r\n\r\n2013-2015\r\nGRIT, Video Mexicano Contempor\u00e1neo, Una selecci\u00f3n arbitraria 1996-2012<\/i>. Compilation by Joaqu\u00edn Segura. Meet Factory, Prague, Czech Republic; Goleb, Amsterdam, the Netherlands; Forum Box, Helsinki, Finland; MAZ, Zapopan, M\u00e9xico; Casa de la Cultura, Nuevo Le\u00f3n, Mexico\r\n\r\n2012\r\nMOTIVOS FLORALES<\/i>, ARCOMadrid, Solo Projects: FocusLatinoamerica. Madrid, Spain\r\n\r\n2010\r\nLOBOS DE JARDIN<\/i>, L.A. Contemporary Art, Solo Projects. Los Angeles, California, USA\r\n\r\n\u00a0\r\n

ART RESIDENCIES AND ART GRANTS<\/h3>\r\n2017\r\nStudio Los Guayabos, artists in residency, Guadalajara, Mexico\r\n\r\n2016\r\nPAOS (Programa de residencias para artistas), Museo Taller Jos\u00e9 Clemente Orozco, Guadalajara, Mexico\r\n\r\n2011-2012\r\nYoung Creators of the FONCA Scholar Program, Visual Arts, Alternative Media, of the National Fund for Culture and the Arts, Mexico\r\n\r\n2011\r\nObject Not Found, Programa de residencias para artistas, 2011, curadur\u00eda por Rub\u00e9n Guti\u00e9rrez, Monterrey, Nuevo Le\u00f3n, Mexico\r\n\r\n\u00a0\r\n

BIBLIOGRAPHY<\/h3>\r\n2019\r\nMASAJE TRANSVERSO PROFUNDO<\/i>. Exhibition catalog, Impronta Casa Editora, 2019\r\n\r\n2018\r\nMAKE, Literary Magazine<\/i>. Issue #17, 2018\r\n\r\n2014\r\nFOTOCOPIAS<\/i>. Ediciones L\u00e1zaro, Publicaciones Amateur, 2014\r\n\r\n2011\r\nPeepingTom\u2019s. Digest #2, M\u00e9xico. An exploration of the Mexican contemporary art scene<\/i>, 2011\r\n\r\n2009\r\nArte al l\u00edmite. Magazine No. 36, 2009\r\nFirulais, Fragmentos selectos de la historia reciente de Guadalajara<\/i>. Exhibition catalog. Museo de la Ciudad, Direcci\u00f3n General de Cultura, 2009\r\n\r\n2008\r\nAsim\u00e9trica. Afinidades y discrepancias. Acciones art\u00edsticas colectivas en Guadalajara. 1949-2006<\/i>. Exhibition catalog. Secretaria de Cultura del Estado de Jalisco, Mexico, 2008\r\nHomenaje a Orozco<\/i>. Exhibition catalog. Secretaria de Cultura del Gobierno de Jalisco, Instituto Cultural Caba\u00f1as, 2008\r\n\r\n2007\r\nCasa del Lago, Memoria de exposiciones, 2006<\/i>. Universidad Aut\u00f3noma de M\u00e9xico, 2007\r\nMArt. Gu\u00eda de artistas emergentes para coleccionistas, 2007<\/i>. Fundaci\u00f3n Murrieta. Cuarta Pared. Magazine No. 6, 2007 <\/div>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n","protected":false},"excerpt":{"rendered":"

Edgar Cobi\u00e1n SELECTED WORKS BIOGRAPHY EXHIBITIONS Downloads: Biography Portfolio EDGAR COBI\u00c1N Edgar Cobi\u00e1n (Guadalajara, Mexico, 1978) is a multidisciplinary artist, his work is developed in different media such as drawing, sculpture, video and music. It reflects on the notions of Utopia and Ideal as articulation and dismantling devices of dominant political, social and cultural structures. 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It reflects on the notions of Utopia and Ideal as articulation and dismantling devices of dominant political, social and cultural structures. 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