{"id":1495,"date":"2016-09-28T18:58:24","date_gmt":"2016-09-28T18:58:24","guid":{"rendered":"https:\/\/paramogaleria.com\/liat-yossifor-biography\/"},"modified":"2016-09-28T18:58:24","modified_gmt":"2016-09-28T18:58:24","slug":"liat-yossifor-biography","status":"publish","type":"post","link":"https:\/\/paramogaleria.com\/en\/liat-yossifor-biography\/","title":{"rendered":"Liat Yossifor – Biography"},"content":{"rendered":"\n
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Liat Yossifor<\/h1>\r\n <\/div>\n<\/div>\n\n
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SELECTED WORKS<\/a><\/p>\r\n

BIOGRAPHY<\/a><\/p>\r\n

EXHIBITIONS <\/a><\/p>\r\n <\/div>\n<\/div>\n\n

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Downloads:<\/h5>\r\n

Biography<\/a><\/p>\r\n

Portfolio<\/a><\/p>\r\n <\/div>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n<\/div>\n<\/div>\n <\/div>\n

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LIAT YOSSIFOR<\/h2>\r\n

Liat Yossifor (b.1974) was born in Tel Aviv, Israel, and currently lives and works in Los Angeles, California. Yoffisor\u00b4s monochromatic paintings are equally pictorial and physical. Using an\u00a0alla prima<\/i>\u00a0technique, Yossifor works within the durational limitations of the liveliness of oil medium and a set of self-imposed restrictions related to the action of painting and her sense of the works as performative gestures, indexed to the artist\u2019s presence.<\/p>\r\n\r\n

Her paintings reference an embodied self, reflected in the thickly textured, punctuated surfaces. In seeking to reinvigorate and advance the language of action painting, Yossifor concentrates the \u201caction\u201d near the center of each work while allowing it to become more diffuse around the edges, constituting a figure-ground relationship. A delicate balance between cognition and action, in which the resolution of pictorial space coexists in tension with the painting as a record of an event, the works are grounded in the artist\u2019s movement and generated utilizing a process that resembles automatic drawing. Yossifor attacks, scores, and interacts with the paint to create textural lines and structures that echo drawings; these drawing features are subsequently buried in the ensuing layers of paint.<\/p>\r\n\r\n

Yossifor was born and raised in Israel and moved to the United States in 1989. Her early monochrome portraits of women, posed as soldiers, with the features of the sitter appearing as though etched into immersive fields of pigment, resist easy identification. These early paintings explore the effects of cultural displacement and the contradictions of identity. Her series of war paintings consists of abstracted battle scenes composed of multiple figures, where bodies merge with the landscape, revealing a violent theater of war. Yossifor\u2019s subsequent work is divided into two distinct series of abstract monochrome paintings, each adopting aspects of her previous bodies of work. Her monochrome series of gray paintings and black paintings are further delimited by differences in duration, pigment,\u00a0material, and process.<\/p>\r\n\r\n

Select solo exhibitions include\u00a0Pre-Verbal Painting<\/i>, The Contemporary Art Museum St. Louis;\u00a0Expanding on an expansive subject<\/i>, The Armory Center for the Arts, Pasadena;\u00a0Time Turning Paint<\/i>, Pitzer College Art Galleries, Broad Center, Claremont;\u00a0Double Life<\/i>, Galerie Anita Beckers, Frankfurt;\u00a0Movements<\/i>, Ameringer McEnery Yohe, New York, NY;\u00a0A Body of Water<\/i>, Patron Gallery, Chicago;\u00a0The Stand<\/i>, P\u00e1ramo, Guadalajara, Mexico; and\u00a0The Tender Among Us<\/i>\u00a0at the Pomona College Museum of Art, Claremont. Group exhibitions include\u00a0Modulaciones<\/i>, Museo de Arte de Sinaloa in Culiac\u00e1n, Sinaloa, Mexico, and Museo de Arte de Zapopan, Jalisco, Mexico;\u00a0100 Years and Counting<\/i>, Minnesota\u00a0Museum of American Art, Saint Paul, MN;\u00a0Grafforists<\/i>, Torrance Art Museum, CA;\u00a0Stolen Gestures<\/i>, Kunsthaus Nurnberg, Germany;\u00a0Subject<\/i>, Lyman Allyn Museum, New London, CT;\u00a0New Works<\/i>, The Margulies Collection, Miami, FL;\u00a0From America<\/i>, Museum of Modern Fine Arts, Minsk, Belarus;\u00a0The Third Wight Biennial<\/i>, New Wight Gallery, UCLA, CA; and\u00a0The End<\/i>, Deep River, Los Angeles, CA.\u00a0Select public collections include\u00a0Creative\u00a0Artist Agency (CAA), Los Angeles, CA; Isabel and Agustin Coppel Collection (CIAC), Mexico City, Mexico; The Marguiles Collection, Miami, FL; Minnesota Museum of American Art, Saint Paul, MN;\u00a0Los Angeles County Museum of Art, CA; and The Hammer Museum, Los Angeles, CA.<\/p>\r\n

EDUCATION<\/h3>\r\n2002\r\nMFA, University of California, Irvine, USA\r\n\r\n1996\r\nBFA, San Francisco Art Institute, San Francisco, USA\r\n\r\n\u00a0\r\n

CURRENT AND UPCOMING<\/h3>\r\nGroup exhibition\r\nSculptural Surfaces<\/i>, Anita Beckers Gallery, Frankfurt, Germany\r\nSeptember 06, 2019\r\n\r\nFox Jensen Gallery, Sindeny, Australia\r\nFall 2019\r\n\r\nB.A.T. State III: Women Artists in Conversation with El Nopal Press<\/i>, University Art Museum (UAM), California State University Long Beach, USA\r\nSeptember 9 \u2013 November 15, 2019\r\n\r\nArtist residency\r\nRauschenberg Residency, Captiva Island, Florida, USA\r\nJanuary 2020\r\n\r\n\u00a0\r\n

SOLO EXHIBITIONS<\/h3>\r\n2018\r\nSo, like a forgotten fire\u2026<\/i>, Gallery Weekend | P\u00e1ramo, Mexico City\r\nEmbodiment and Abstraction: Liat Yossifor<\/i>, Miles McEnery, New York, USA\r\n\r\n2016\r\nA Body of Water<\/i>, Patron Gallery, Chicago, USA\r\nThe Stand<\/i>, P\u00e1ramo, Guadalajara, Mexico\r\nDouble Life<\/i>, Galerie Anita Beckers, Frankfurt, Germany\r\nSmall works<\/i>, Ameringer McEnery Yohe Gallery, New York, USA\r\n\r\n2015\r\nTime Turning Paint<\/i>, Nichols Gallery, Broad Center, Pitzer College Art Galleries, Claremont, USA\r\nPre-Verbal Painting<\/i>, Contemporary Art Museum St. Louis, USA\r\nEight Movements<\/i>, Ameringer | McEnery | Yohe Gallery, New York, USA\r\nExpanding on an expansive subject<\/i>, Armory Center for the Arts, Pasadena, USA\r\n\r\n2013\r\nHidden<\/i>, Galerie Anita Beckers, Frankfurt, Germany\r\n\r\n2012\r\nThought Patterns<\/i>, Ameringer | McEnery | Yohe Gallery, New York, USA\r\n\r\n2011\r\nPerformers from a Future Past<\/i>, Angles Gallery, Culver City, USA\r\n\r\n2010\r\nFalling into Ends<\/i>, Anita Beckers Gallery, Frankfurt, Germany\r\n\r\n2007\r\nThe Dawning of an Aspect<\/i>, Project, Susanne Vielmetter Los Angeles Projects, Los Angeles, USA\r\nProject Series 32<\/i>, Liat Yossifor: The Tender Among Us, Pomona College Museum of Art, Claremont, USA\r\n\r\n2006\r\nThe Black Paintings<\/i>, Project, Noga Gallery of Contemporary of Art, Tel Aviv, Israel\r\n\r\n2005\r\nNew Paintings<\/i>, Anna Helwing Gallery, Los Angeles, USA\r\n\r\n\u00a0\r\n

GROUP EXHIBITIONS<\/h3>\r\n2019\r\nPermafrost<\/i>, an offsite exhibition, Fox Jensen Gallery, Sydney, Australia\r\nB.A.T. State III: Women Artists in Conversation with El Nopal Press<\/i>, University Art Museum (UAM), California State University Long Beach, USA\r\nNew Suns, Chapter 2<\/i>, P\u00e1ramo, Guadalajara, Jalisco, Mexico\r\nWET WET WET,<\/i>\u00a0Fox Jensen McCrory, Auckland, New Zealand\r\nP\u00e1ramo | GNP ArteCareyes Film & Art Festival, Careyes, Mexico\r\n100 YEARS AND COUNTING<\/i>, Minnesota Museum of American Art, EUA\r\n\r\n2018\r\nNew Suns<\/i>, P\u00e1ramo, Guadalajara, Jalisco, Mexico\r\nOne Moment in Time \u2013 Part III<\/i>, Galerie Anita Beckers, Frankfurt, Germany\r\nPrima Materia<\/i>, LACASAPARK, New York, USA\r\nModulaciones: Pintura 1898-2016<\/i>, Museo de Arte de Zapopan, Mexico.\r\nBelief in Giants<\/i>, Miles McEnery, New York, USA\r\n\r\n2017\r\nModulaciones: Pintura 1898-2016<\/i>, Museo de Arte de Sinaloa, Culiac\u00e1n, Mexico.\r\n127<\/i>, P\u00e1ramo | 127, New York, USA\r\nWhy Art Matters!<\/i>, Torrance Art Museum, Torrance, CA, USA\r\n\r\n2016\r\nGrafforists<\/i>, Torrance Art Museum, Torrance, USA\r\n\r\n2015\r\nNew Works<\/i>, Margulies Collection, Miami, USA\r\nTheory of Forms<\/i>, Patron Gallery, Chicago, USA\r\nAngels with Dirty Faces<\/i>, Galerie Ernst Hilger, Vienna, Austria\r\nBlack and White<\/i>, Ameringer | McEnery | Yohe Gallery, New York, USA\r\nArtWatch 2014: Young Careers \u2013 SB to Greater LA<\/i>, Westmont Ridely Tree Museum of Art, Santa Barbara, USA\r\n\r\n2014\r\nTransitions<\/i>, Anita Beckers Gallery, Frankfurt, Germany\r\n\r\n2013\r\nStolen Gestures<\/i>, Kunsthaus Nuremberg, Nuremberg, Germany\r\n\r\n2012\r\n80 Days<\/i>, Torrance Art Museum, Torrance, USA\r\nPrince at the Forum<\/i>, Beacon Arts Building, Inglewood, USA\r\n\r\n2010\r\nA Reflected Gaze<\/i>, Torrance Art Museum, Torrance, USA\r\n\r\n2009\r\nTo Here Knows When<\/i>, University of La Verne, La Verne, USA\r\n\r\n2008\r\nThe War Is Over<\/i>, with Aaron Sandnes, Seeline Gallery, Santa Monica, USA\r\nA Deadly Serious Show<\/i>, Sister Gallery, Los Angeles, USA\r\n\r\n2007\r\nIt figures<\/i>, Torrance Fine Arts Museum, Torrance, USA\r\n\r\n2006\r\nSubject<\/i>, Lyman Allyn Museum, New London, USA\r\nFrom America<\/i>, Museum of Modern Fine Arts, Minsk, Belorussia\r\n\r\n2003\r\nThe Real Me<\/i>, Occidental College, Los Angeles, USA\r\n\r\n2002\r\nThe End<\/i>, Deep River Gallery, Los Angeles, USA\r\nBetter Look Twice<\/i>, Pasadena City College Art Gallery, Pasadena, USA\r\n\r\n2001\r\nThe Third Wight Biennial<\/i>, New Wight Gallery, University of California, Los Angeles, USA\r\n\r\n\u00a0\r\n

AWARDS AND RESIDENCIES<\/h3>\r\n2020\r\nRauschenberg Residency, Captiva Island, Florida, USA\r\n\r\n2019\r\nCASA WABI, Oaxaca, Mexico\r\n\r\n2015\r\nArtist Project, Aurobora Press, Sun Valley, USA\r\n\r\n2012\r\nThe Rema Hort Foundation Nominee, New York, USA\r\n\r\n2011\r\nAurobora Press, San Francisco, USA\r\n\r\n2010\r\nFrankfurter Kunstverein, Frankfurt, Germany\r\n\r\n2009\r\nLondon International Competition Finalist\r\n\r\n2008\r\nUcross Foundation, Claremont, USA\r\n\r\n2000-2002\r\nUniversity of California, Irvine, Departmental Fellowship\r\n\r\n\u00a0\r\n

LECTURES<\/h3>\r\n2018\r\nThe Torrance Art Museum Forum, Tomory Dodge and Liat Yossifor, Torrance, CA, USA\r\n\r\n2015\r\n\u201cArtists Liat Yossifor and Iva Gueorguieva in conversation with David Pagel,\u201d art critic, curator and art theory and history professor at Claremont, University Nichols Gallery, Broad Center, Pitzer College, USA\r\n\u201cThe Politics of Painting,\u201d Nichols Gallery, Broad Center, Pitzer College, USA\r\n\u201cArtists Liat Yossifor and Nery Gabriel Lemus, with Kevin Appel,\u201d UC Irvine art professor and Joanna Roche, Cal State Fullertonart history professor. Moderator: Christopher Michno\r\n\r\n2013\r\n\u201cVisiting Artist Lecture Series,\u201d Claremont Graduate University, Claremont USA\r\nCal State Fullerton, Fullerton, USA\r\n\u201cVisiting Artist Lecture Series,\u201d Pepperdine University, Malibu, USA\r\n\r\n2012\r\n\u201cVisiting Artist Lecture Series,\u201d Alberta School of Art and Design, Calgary, Canada\r\n\r\n2010\r\n\u201cVisiting Artist Lecture Series,\u201d Claremont Graduate University, Claremont, USA\r\nPanelist at Claremont University, moderator David Pagel, Claremont, USA\r\nResident Artist Lecture, Frankfurter Kunstverein, Frankfurt, Germany\r\n\r\n2009\r\n\u201cIs Conviction Possible in Contemporary Painting?\u201d Phoebe Unwin, Andrew Berandini, Jens Hoffman and Liat Yossifor, Honor Fraser Gallery, Culver City, USA\r\n\u201cMeet the Artist,\u201d organized by Los Angeles Contemporary Exhibitions, Los Angeles, USA\r\n\r\n2007\r\nExhibition Talk, The Tender Among Us, Pomona College Art Museum, Claremont, USA\r\n\r\n\u00a0\r\n

COLLECTIONS<\/h3>\r\nThe Margulies Collection, Miami, USA\r\nIsabel y Agust\u00edn Coppel Collection, Mexico\r\nMinnesota Museum of American Art, Saint Paul, MN, USA\r\nCreative\u00a0Artist Agency (CAA), Los Angeles, USA\r\nLos Angeles County Museum (LACMA), USA\r\nThe Hammer Museum, Los Angeles, USA\r\n\r\n\u00a0\r\n

BIBLIOGRAPHY<\/h3>\r\n2019\r\nFrankfurter Galerien<\/i>,\u00a0Gluhen, Leuchten, Strahlen.<\/i>\u00a0Von Christoph Schutte veroffenlicht. Frankfurter Allgemeine Zuitung, September 9, 2019\r\nArtnetNews Pick, Must-See Art Guide:,\u00a0Pia Fries and Liat Yossifor: Sculptural Surfaces<\/i>, September 4, 2019\r\n\r\n2018\r\nBrainardcarey,\u00a0Liat Yossifor<\/i>, Praxis Interview Magazine, Yale Radio, June 28, 2018.\r\nCarillo, Alejandro.\u00a0Modulaciones, un recorrido pl\u00e1stico por el MAZ<\/i>, El Diario Newspaper, April 27, 2018.\r\nLawlor, Erin.\u00a0Alla Prima: Painters in Dialogue Interview with Liat Yossifor<\/i>, the art section, June 2018.\r\nMichno, Christopher.\u00a0Embodiment and Abstraction<\/i>, Liat Yossifor, 2018.\r\n\r\n2016\r\nHartcourt, Glen.\u00a0Liat Yossifor: Time Turning Paint<\/i>. Nichols Gallery, Broad Center, Pitzer College Art Galleries: Claremont, California, USA.\r\nLang, Karen, Christopher Micho, Stella Rollig and Ed Schad.\u00a0Movements: Liat Yossifo<\/i>r, Doppel House Press.\r\nCesar Garcia,\u00a0Lo Mejor de 2016 por Artes Visuales<\/i>, C\u00f3digo, Dec, issue.\r\nAndrew M. Goldstein,\u00a0The 27 Best Paintings of Nada Miami Beach 2016<\/i>, Artspace, Dec 2.\r\nBrit Barton,\u00a0Sifting Through the Waves of Time<\/i>, Newcity Art, Nov 25.\r\nSch\u00fctte, Christoph.\u00a0Dance in Gray Mass<\/i>. Frankfurter Allgemeine Zeitung, May 18. Presneill, Max.\r\nEmergent Presence<\/i>. Fabrik Magazine, May 2016: p. 83, 84, 2016.\r\nCiara Ennis,\u00a0The Politics of Painting<\/i>, interview. Catalogue.\r\n\r\n2015\r\n18 Artists to Watch<\/i>. Modern Painters, December. p.88.\r\nVagen, Rick.\u00a0Liat Yossifor: Pre-Verbal Painting<\/i>. The Visual Art Quarterly of St. Louis, Autumn: 4.\r\nMichno, Christopher.\u00a0Matter of Structure, Liat Yossifor<\/i>. Artillery, March\u2013April: 5.\r\nYossifor, Liat.\u00a0Gesture, Time, Scribble, Structure \u2013 or My Argument with a Picture<\/i>, Artist Practice, curated by Clay Dean, edited by Tuni Chatterji and Clay Dean.\r\nFinnerty-Pyne, Sin\u00e9ad.\u00a0Expanding on an expansive subject, Part 4: Liat Yossifor<\/i>,\u00a0Gesture (as) Consequence<\/i>, Armory Center for the Arts, Pasadena, USA.\r\n\r\n2014\r\nWoodard, Josef.\u00a0Visions from the expanded Region<\/i>. Santa Barbara News-Press Scene Magazine. November 13, 2014: 43.\r\nLarson, Judy.\u00a0ArtWatch 2014: Young Careers \u2013 SB to Greater LA<\/i>. Westmont Ridely-Tree Museum of Art, Santa Barbara.\r\nSch\u00fctte, Christoph.\u00a0Exhibition at Galerie Anita Beckers<\/i>. Frankfurter Allgemeine Zeitung, January 23, 2014.\r\nRodriguez, Liliana.\u00a0Navigating space and History in Paint<\/i>. The Nomadic Journal, January 9, 2014.\r\n\r\n2013\r\nSeyfarth, Ludwig.\u00a0Stolen Gestures<\/i>. Kunsthaus N\u00fcrnberg, N\u00fcrnberg, Germany.\r\nSeyfarth, Ludwig.\u00a0Hidden<\/i>. Galerie Anita Beckers, Frankfurt, Germany.\r\n\r\n2012\r\nFrank, Pricilla.\u00a0Liat Yossifor\u2019s Thought Patterns Trace the Image of Thinking And A Moment Undone<\/i>. The Huffington Post, November 9.\r\nSchad, Ed.\u00a0Liat Yossifor: Interview.<\/i>\u00a0Painters\u2019 Table, November.\r\n\r\n2011\r\nDavid, Pagel.\u00a0Liat Yossifor at Angles Galler<\/i>y. Los Angeles Times, March 10.\r\nMary Anna, Pomonis.\u00a0Jet Set Saturday: Liat Yossifor at Angles Gallery<\/i>. Artlurker, March.\r\nBankhead, Steven.\u00a0Prince at the Forum<\/i>. Beacon Arts Building, Illustration.\r\nExhibition Spotlight,\u00a0Liat Yossifor\u2019s Performers from a Future Past<\/i>. Huffington Post Arts, March 7.\r\n\r\n2010\r\nSch\u00fctte, Christoph.\u00a0Construction and Truth, Works by Liat Yossifor and Martina\r\n<\/i>Wolf in the Galerie Anita Beckers<\/i>. Frankfurter Allgemeine Zeitung, June 3.\r\nBrooks, Kimberly.\u00a0Painting Evolution: Interview with Artist Liat Yossifor<\/i>. Huffington Post, July.\r\nA Reflected Gaze<\/i>, catalogue Torrance Art Museum. Illustration.\r\n\r\n2009\r\nLang, Karen.\u00a0Liat Yossifor: Below the Eye<\/i>. Xtra Contemporary Art Quarterly, Edition of May: 56\u201359.\r\n\r\n2008\r\nNew American Paintings Juried by LACMA curator Rita Gonzalez<\/i>, No. 79, December edition: 168-171.\r\nLICC 01<\/i>. Asterisk Press, 2008: 32, 33 (images from catalogue).\r\nKahstoo, Leila.\u00a0The War Is Over: Liat Yossifor and Aaron Sandnes<\/i>. Artweek, Ed. July\u2013 August: 17, 18.\r\n\r\n2007\r\nPatterson, Carrie.\u00a0Training Ground<\/i>. NY Arts Magazine, Edition.\r\nDambrot, Shana Nys.\u00a0Liat Yossifor, Ten by Ten<\/i>, Ten Upcoming Artists, March.\r\nNewhouse, Kristina.\u00a0Agonism. Liat Yossifor: The Tender Among Us<\/i>, Pomona College Museum of Art, Claremont, January.\r\nFeldman, Roni.\u00a0Liat Yossifor at the Pomona College Museum of Art<\/i>. The Annual Journal at CGU.\r\n\r\n2006\r\nRosenbaum, Hemda.\u00a0Liat Yossifor: The Black Paintings at Noga Gallery<\/i>. Achbar Ha\u2019Ir, Tel Aviv, April.\r\n\r\n2005\r\nShaked, Nizan.\u00a0The Secret and the Surface<\/i>. Los Angeles, USA, April.\r\n\r\n2001\r\nShaked, Nizan.\u00a0The Sum of The Parts Is\u2026<\/i>, The Third Wight Biennial, University of California, Los Angeles, USA. <\/div>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n","protected":false},"excerpt":{"rendered":"

LIAT YOSSIFOR Liat Yossifor (b.1974) was born in Tel Aviv, Israel, and currently lives and works in Los Angeles, California. Yoffisor\u00b4s monochromatic paintings are equally pictorial and physical. Using an\u00a0alla prima\u00a0technique, Yossifor works within the durational limitations of the liveliness of oil medium and a set of self-imposed restrictions related to the action of painting […]<\/p>\n","protected":false},"author":2,"featured_media":859,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[],"class_list":["post-1495","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-biographies","has-post-title","has-post-date","has-post-category","has-post-tag","has-post-comment","has-post-author",""],"yoast_head":"\nLiat Yossifor - Biography - P\u00e1ramo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/paramogaleria.com\/en\/liat-yossifor-biography\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Liat Yossifor - Biography - P\u00e1ramo\" \/>\n<meta property=\"og:description\" content=\"LIAT YOSSIFOR Liat Yossifor (b.1974) was born in Tel Aviv, Israel, and currently lives and works in Los Angeles, California. Yoffisor\u00b4s monochromatic paintings are equally pictorial and physical. 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